9/10 …At the end of the 60s, superstar drummer and angriest man in rock Ginger Baker was on the verge of collapse. Strung out on heroin, deeply grieving Jimi Hendrix’s death, and alienated from his former Cream and Blind Faith bandmates, he needed a new direction. He found it in Nigeria, where he decamped after driving a Range Rover from Algeria across the Sahara Desert. (A madcap adventure captured in the 1971 documentary Ginger Baker in Africa). Once in Lagos, Baker started jamming with Afrobeat legend Fela Kuti….

8/10 …The holy trio (303) of Hardfloor records released during the same period, 1993-1994, TB Resuscitation, Respect and Funalogue are even now, almost 30 years later is still amazing. Especially the two full-length albums. The mini-album Funalogue as a stand alone release as it was ment to be at first, with only the 5 tracks, Confuss, Roarrh, Rosinenbrot, Funalogue and Alternative is still a solid good album, and I would rate it as a 6/10. But when they decided to include the over 10 minute long Into The Nature (Plastikman Mix) Remix and Into The Nature (Hardfloor Remix) the release reached a whole new level. They are mind-tripping, mind-blowing and both of them should always be played in any Acid DJ set. The other tracks are as I said good, apart from Roarrh, that’s nothing short of embarissing and I chose to ignore.

7/10 … After being blown away by a few tunes – probably just as you will be after listening to this – Samy Ben Redjeb travelled to the infamous capital city of Somalia in November of 2016, making Analog Africa the first music label to set foot in Mogadishu. On his arrival in Somalia Samy questioned the need for a vehicle full of armed chaperones casually toting Kalashnikovs, deemed necessary to accompany him to the radio station archive every morning…

9/10 … The British press calls him The Göttfater (Godfather) of Techno. With the album E2–E4, Göttsching created music that influenced the development of electronic music (almost) as much as Kraftwerk.

When Manuel Göttsching released the album E2–E4 in 1984, but he received criticism at home in Germany for not understanding the path taken by electronic music. Several years later, reviewers apologized. It was they themselves who did not understand what a groundbreaking album Göttsching had created…

9/10 … Originally released on 1973 as a double album and conceived as a collection of episodes destined to TV broadcasting, “To-day’s sound” has quickly become one of the most popular works by Piero Umiliani and certainly is one of the best of his long career. Umiliani, here on the job with Moog, Hammond and keyboards, is accompanied by a group of excellent and talented jazz players: Franco D’Andrea and Giovanni Tommaso (both in the Perigeo group), the trumpeter Oscar Valdambrini, guitarist Silvano Chimenti from I Grès group, percussionist Ciro Cicco and many others…

Ragtime, while an obvious precursor of jazz, is a written [ie. composed] music rather than an improvised form of music. Despite sharing the syncopated base that was an essential element in later jazz, ragtime was performed as written and had a strict form (usually with an “A” section followed by a “B” section and then a return to the “A” section – or some variation of this) and was often played by military or brass bands. During it’s peak period (before 1920) most ragtime recordings are by orchestras or bands or are vocal recordings of ragtime songs. Ragtime recordings can frequently (but not always) be identified by the use of the word rag or ragtime in the title.

Read The History About The Music Style Ragtime Here! Scott Joplin (c. 1868 – April 1, 1917) was an American composer and pianist. Joplin achieved fame for his ragtime compositions and was dubbed the “King of Ragtime”.[1] During his brief career, he wrote over 100 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular […]

Manhattan Research Inc.’ is a posthumous compilation from inventor and early electronic music pioneer Raymond Scott. It contains over just over two hours’-worth of space-age pop jingles and library-flavoured electronic music. It’s a perfect release both for those wanting to explore the history of synth music and for listeners who are just after some playful, retro-futurist […]

Apart from being a blues musician, Thomas was a gravedigger and folk artist known for his sculptures featuring actual human teeth.

Born 14 October 1926 in Eden, Mississippi, died 26 June 1993 in Greenville, Mississippi. Thomas was raised by his grandparents, who gave him his nickname “Son” as a term of endearment. In 1967 he was discovered by researcher William Ferris, who documented his life in the book “Blues From The Delta” and in five films.