On Black Sabbath’s swansong, the album “13” from 2013 we find this track, “God is dead?”, the first single from that album. and the first with Ozzy Osbourne since 1998’s “Psycho Man” and “Selling My Soul” from Reunion. The music video, directed by Peter Joseph, known for the Zeitgeist film series,[ was released on 10 June 2013.

The concept of the song is a clearly inspired by Friedrich Nietzsches “Gott Ist Tot” that you can read about down below …

Here you find a collection of all downloads that’s also included in various blog entries. If some link doesn’t work, please report it to nonserviamblog@outlook.com Right click and chose ”save as …” to download the link or just press the dropbox logos to read them online. MUSIC Judas Priest ”Heavy Metal Painkiller” (Book) by Martin […]

9/10 … I listened to the audiobook version of his biography, and I loved to hear about all the craziness when they where on tour. How Ozzy set of fireworks in a hotel, how Iommi set fire on Bill Ward, the killing of Richard Branson’s prize carp fish with pyrotechnics, that Spinal Tap-inspiring Stonehenge stage set, Ghost encounters, Knife fights and auditioning Michael Bolton as Black Sabbath singer (!?!?).

RE/Search No. 10: Incredibly Strange Films is a thick magazine or a book about American underground and other films. It was guest edited by Jim Morton, with associate editor Boyd Rice, in the RE/Search series edited by V. Vale and Andrea Juno, originally published in 1985 and expanded in 1986. I love these RE/Search magazines that came out in the 80’s. They often have that […]

RE/Search Publications is an American magazine and book publisher, based in San Francisco, founded by its editor V. Vale in 1980. In several issues, Andrea Juno was also credited as an editor. It was the successor to Vale’s earlier punk rock fanzine Search & Destroy (1977–1979), which was started with small donations, provided to Vale by Allen Ginsberg and Lawrence Ferlinghetti. RE/Search has published tabloid-sized magazines and […]

10/10 … If Aliens would land here and ask me to show them one record of each music style we have here on planet earth … this would definitly be the one I’ll show them when presenting Heavy Metal. Judas Priest 1982-84 (Screaming/Defenders) era is the pinnacle of Heavy Metal for me. Both the music, the clothing style, the live performances and sound. This is Heavy Metal …

4/10 … Although I don’t understand one single word of what they are singing about, and I’m a lyrics guy, I tend to love Russian metal and punk, the sound of the language fits like a glove to the aggressiveness of the music.

I just love that they put the man behind the group on the front cover instead of the band in itself … talk about megalomania 🙂

Opening track Капитал opens in full speed and I just love it when Antonina Zhmakova raspy voice kicks in. I heard from several people that they have a problem with her voice, which I don’t get at all. This is just how I want a female singer in metal to sound like. Next up, Мастер Снов is also really, really good with a keyboard that pretty prominent . As track number three we get the ballad Время Строить Храм that I could do without and the same goes for the next tracks, Такова Жизнь, Покоритель, Ночной звонок and Змей искуситель. They are all some kind of semi-ballards/bubblegum hard rock. The closing track Привкус воли is a nice piece of hard rock and again Antoninas voice gets to use. So all in all, I wished it had continued as it started but unfortunatly not.

9/10 … The first wave of “Swedish Death Metal” came from Stockholm (again, not to be confused with the Gothenburg sound from Swedens other coast), and consisted of the bands Carnage, Morbid and Nihilist, who fragmented later into Entombed, Dismember and Unleashed. Many of these bands used the trademark Tomas Skogsberg/Sunlight Studios “buzzsaw” guitar tone. It was created by using heavily detuned electric guitars (usually C# standard or lower), a maxed out Boss HM-2 Heavy Metal pedal (see YouTube video at the bottom of this page), sometimes in combination with a single guitar through a Boss DS-1 Distortion pedal. The originator of this guitar sound was Nihilist guitarist Leffe Cuzner, though it was evolved and altered over the years.

10/10 … This is the perfect concert, the ultimate Black Sabbath show off. Forget all about ”Live at Last” and ”Live Evil”, this is it, a 100-minute perfect performance recorded in New Jersey for the famous American radio show King Biscuit Flower Hour at the beginning of the LP promotion tour for ‘Sabotage’.

The sounds is awesome, raw but still with that ”Wall of Sound” that only Butler and Iommi can create together. Ozzy’s voice sounds fantastic. Not a single half-assed track or filler, just the best all spiced up with among other things a 14-minute jam.

Vader, a Death Metal band from Poland that was formed back in 1986. On this one, “Impressions In Blood” the bands seventh studio album, not counting the cover album “Future of the Past” from 1996 we find the track “Helleluyah (God Is Dead)”.

A music video was shot and it was directed by Andrzej Wyrozębski. Janusz Król was responsible for special effects and the set design for the video, while Sławomir Panasewicz was the cameraman. In Poland, the album “Impressions in Blood” landed at position No. 8. The album also charted in Japan.