I have no idea why I call this style of 1990’s techno “British Hooligan Techno”. But all I see infront of me is white British Adidas wearing working class guys on ecstasy dancing in big green fields. But the album I mainly associate this group with, Interspecies Communication is more of a spiritual journey that much like their 1998 movie takes you on a journey around the globe to people who doesn’t live like we in the west do.

9/10 … In 1968, Sly & The Family Stone appeared on The Ed Sullivan Show performing the exuberant but little-known album track “Love City.” The following year, they returned to the show for what proved to be a legendary performance, playing an excerpt from their #1 hit “Everyday People” before launching into the iconic “Dance To The Music.” In both episodes, the home viewer was presented with a high energy performance by a band fully engaged with both the audience and themselves. On Sullivan, the band was facing each other just as often as they were facing the cameras. At the center of the action was Sly Stone who, when not playing the organ, was breaking into explosive dance routines on stage, and at one point running into the audience with his bandmate and sister Rose. Clearly this was a band determined to not only win over their audience, but truly own them from beginning until end.

Aaaaaargh, this is heavy as sh*t! Heavy, aggressive and at the same time you just wanna melodic. You just wanna doom dance ala Candlemass Messiah Marcolin. Fantastic doom!

As a matter of fact the whole album is awesome (Read review here). Love how the video capture the aggressive sound, the furious look in singer Rikke Emilie List eyes. Just turn up the volume and feel the heaviness.

5/10 … Self released full-length debut from this Swedish band, and it opens up nothing short of amazing with “Fallen Angels” directly after the really cool intro, and I’m pumped, thinking that this will be an awesome ride. But the next track is a slow thing, “The Beast inside of Me” which is really good, but I can’t stop thinking that it’s an anti-climax to put something slow/mid-tempo directly after that explosive start. Well, we will probably then get back on track with the next one, “One by One”. Nope, we go even slower!!! Holy f**k, am I disappointed now. I wanted more of the starter, the track that made me throw myself out on the internet to check if this had a vinyl release. But the record screams back at me … forget that, now we will go into Power Metal ala Helloween mode (a genre that’s not for me at all) and stay there for the rest of the record…..

10/10 … Every once in a while a new band shows up that makes me believe there’s still life in traditional heavy metal, a band that deliveres music that makes me get that euphoric feeling along my backspin, playing air drums (yes, for me it’s drums, not guitar) and thinking there’s still hope and I don’t just have to listen to my 1980’s metal records when it comes to traditional metal. Usually for me, most releases nowadays have too much of a sterile/clinical sound for my taste, like it’s been made in a labratory by men in white coats. So even if the songs are good, the feeling is not there. I want some dirt, and I want some rawness….

9/10 … Part of the N.W.O.S.H.M movement that rised up from the underground in Sweden in the late 2000’s with band such as Enforcer, Trial, Air Raid, Screamer and many more. Ced (Cederick Forsberg) has like a million bands where I think he have had the biggest success with Blazon Stone, a true Running Wild worship band. This is the debut from 2011, and this is more of a Manowar worshiping band. If a song title like “Metal The Posers To Death” doesn’t say it all, I don’t know what will. It’s simply awesome from start to end…

STEELE is a remarkable name in the history of Heavy Metal from San Francisco. They were one of the most cherished bands by the local scene at the time, delivering pure U.S. Metal, as it was done in the early 80s. Without big budgets to support them, they managed to immortalize much of the feeling experienced in those crazy years of Heavy Metal.

3/10 … 1980’s Metal is my favourite music genre, the one I always come back to. I also like digging into the obscure, the rare releases. Bands that only made one 7” or made one track for a compilation album.

So with that said, it sadeness me to say that this is absolute garbage, apart from the last track with Behemoth that is really good, only Mercy, Paradize and Silver Mountain are okey, the rest is total crap, just a waste of vinyl. There are so much other good obscure Swedish bands so it beats me why the chose these ones.