Motörhead Discography & History (Heavy Metal) [Music/Review]

I have loved Motörhead forever and ever, the music, the “I don’t give a fuck” attitude, the look of Lemmy and the band (especially the early years) and that they have always stayed the same, no spandex pants in 1984, curled hair in 1988 or big pants in 1998. One of my all-time favorite bands.

Being an album addict myself, I have curiously never seen Motörhead as an album band. I have always considered them a single tracks band that’s being best on mixtape. Why I have lived in this disillusion is unclear, since when I started to go through their discography again, they do have a number of albums that are 8-9/10 ratings. So that personal bubble was burst. Another thing that some people might think is strange is that I consider “Inferno” their best album, not a single bad/filler song. Just jam packed with gold.

The History Begins …

Motörhead (/ˈmoʊtərhɛd/) were an English rock band formed in June 1975 by bassist, singer, and songwriter Ian “Lemmy” Kilmister, who was the sole constant member, guitarist Larry Wallis and drummer Lucas Fox. The band are often considered a precursor to the new wave of British heavy metal, which re-energised heavy metal in the late 1970s and early 1980s.[1] Though several guitarists and drummers have played in Motörhead, most of their best-selling albums and singles feature the work of Phil “Philthy Animal” Taylor on drums and “Fast” Eddie Clarke on guitars.

Motörhead released 22 studio albums, 10 live recordings, 12 compilation albums, and five EPs over a career spanning 40 years. Usually a power trio, they had particular success in the early 1980s with several successful singles in the UK Top 40 chart. The albums Overkill, Bomber, Ace of Spades, and particularly the live album No Sleep ’til Hammersmith cemented Motörhead’s reputation as a top-tier rock band.[2] The band are ranked number 26 on VH1’s 100 Greatest Artists of Hard Rock.[3] As of 2016, they have sold more than 15 million albums worldwide.[4]

Most often classified as heavy metal, Motörhead has been credited with being part of and influencing numerous musical scenes, thrash metal and speed metal especially. Lemmy, however, always insisted that they were a rock and roll band. He said that they had more in common with punk bands, but with their own unique sound, Motörhead is embraced in both punk and metal scenes. Their lyrics typically covered such topics as war, good versus evil, abuse of power, promiscuous sex, substance abuse, and, most famously, gambling, the latter theme being the focus of their hit song “Ace of Spades”.[sources 1]

Lemmy died on 28 December 2015 from cardiac arrhythmia and congestive heart failure, after being diagnosed with prostate cancer.[11] The day after his death, drummer Mikkey Dee and guitarist Phil Campbell both confirmed that Motörhead had disbanded. By 2018, all three members of Motörhead’s classic lineup (Lemmy, Taylor and Clarke) had died.[12][13][14][15][11]

After the discography the bands history continues…

Discography
(Studio Albums)

(1978) Motörhead

7/10

The official debut album (although On Parole was recorded in 1975, but the label never released it). Primitive in many ways, but I really like it. The best tracks are the ones Lemmy wrote for Hawkwind, Motorhead, Lost Johnny and The Watcher. Also White Line Fever is great.

Favourite track: Motorhead

  • Motorhead
  • Vibrator
  • Lost Johnny
  • Iron Horse/Born To Lose
  • White Line Fever
  • Keep Us On The Road
  • The Watcher
  • Train Kept A Rollin’

Versions: Discogs

(1979) Overkill

7/10

Opens up with a banger in the title track “Overkill”. Next up is “Stay Clean”, one of these tracks that have been in their live shows forever, but to me it’s just an okey song. It’s followed by “(I Won’t) Pay Your Price” and “I’ll Be Your Sister”, both are tracks which I really like. “No Class” is another classic that’s awesome.

Favourite track: Bomber

  • Overkill
  • Stay Clean
  • (I Won’t) Pay Your Price
  • I’ll Be Your Sister
  • Capricorn
  • No Class
  • Damage Case
  • Tear Ya Down
  • Metropolis
  • Limb From Limb

Versions: Discogs

(1979) Bomber

5/10

The third Motörhead album, that no doubt contains some classics. It opens up great with “Dead Men Tell No Tales”, but are followed by, with dare I say it two boring slow tracks “Lawman” and “Sweet Revenge”. Track number four, “Sharpshooter” is pretty good, apart from the repetitive chorus and again it’s too slow. “Poison”, “Stone Dead Forever”, “All the Aces” are all okey, above average. Then again we get another snoozer, “Step down”. “Talking head” is again about average, and then the title track closer “Bomber” is the thing that rescues the album from being a total snoozefest. “Over the Top” was released as a b-side to the 7″ version of “Bomber” and I think would have been a better fit here than most of the other tracks.

Overall way to slow for my taste. Wheren’t they supposed to be on speed at this time?

Favourite track: Bomber

  • Dead Men Tell No Tales
  • Lawman
  • Sweet Revenge
  • Sharpshooter
  • Poison
  • Stone Dead Forever
  • All The Aces
  • Step Down
  • Talking Head
  • Bomber

Versions: Discogs

(1980) Ace of Spades

9/10

This is the classic of the classics, Motörheads “Ace of Spades”, an album your grandmother probably heard of. I love this album, especially the title track, “Ace of Spades” “Shoot You in the Back”, “(We Are) The Road Crew” and “The Hammer”. The only song I could have done without is “Fast and Loose”. Read my full review of the 40th Anniversqary edition and history of the record here!

Favourite track: Ace of Spades

  • Ace Of Spades
  • Love Me Like A Reptile
  • Shoot You In The Back
  • Live To Win
  • Fast And Loose
  • (We Are) The Road Crew
  • Fire, Fire
  • Jailbait
  • Dance
  • Bite The Bullet
  • The Chase Is Better Than The Catch
  • The Hammer

Versions: Discogs

(1982) Iron Fist

6/10

It starts out with one of my all-time favourite Motörhead tracks, “Iron Fist” and the first half is really good, but then around “Sex & Outrage” it goes into average territory and the songs are just that, average, nothing I would put on a Motörhead best-of-mixtape.

Favourite track: Iron Fist

  • Iron Fist
  • Heart Of Stone
  • I’m The Doctor
  • Go To Hell
  • Loser
  • Sex & Outrage
  • America
  • Shut It Down
  • Speedfreak
  • (Don’t Let ‘Em) Grind Ya Down
  • (Don’t Need) Religion
  • Bang To Rights

Versions: Discogs

(1984) Another Perfect Day

9/10

Amazing 6th studio album from the bulldozers known as Motörhead. More or less all tracks are really, really f**kin good, with stand out tracks like Back At The Funny Farm, Shine, Dancing on Your Grave, Rock It, One Tracks Mind and I Got Mine.

Favourite track: Back At The Funny Farm

  • Back At The Funny Farm
  • Shine
  • Dancing On Your Grave
  • Rock It
  • One Track Mind
  • Another Perfect Day
  • Marching Off To War
  • I Got Mine
  • Tales Of Glory
  • Die You Bastard

Versions: Discogs

(1984) No Remorse

8/10

Questionable if this album should be here, since it’s to 80% a compilation album, with only 4 new tracks. Part retrospective, part welcome to the new four-piece Motörhead line-up that debuted in 1984. But since some discographies chose to list it with the studio albums, I’ll do it to. But the review is only for the 4 new tracks, “Snaggletooth”, “Steal Your Face”, “Locomotive” and “Killed by Death”. “Killed by death” is amazing and a classic, but one that’s overlooked is “Snaggletooth”, a fast and furious Motorhead bulldozer track that’s awesome. “Steal Your Face” is a good midtempo track. “Locomotive” is another fast one that’s really, really good. I love the production on all these new tracks here.

Favourite track: Killed by Death

  • Ace Of Spades
  • Motörhead
  • Jailbait
  • Stay Clean
  • Too Late, Too Late
  • Killed By Death
  • Bomber
  • Iron Fist
  • Shine
  • Dancing On Your Grave
  • Metropolis
  • Snaggletooth
  • Overkill
  • Please Don’t Touch
  • Stone Dead Forever
  • Like A Nightmare
  • Emergency
  • Steal Your Face
  • Louie Louie
  • No Class
  • Iron Horse
  • We Are The Road Crew
  • Leaving Here
  • Locomotive

Versions: Discogs

(1986) Orgasmatron

9/10

3 years in waiting and we get the follow up to Another Perfect Day, Orgasmatron, a masterpiece! I love this album, despite it’s “strange” production (one day I have to dig deeper into what happened there?). More or less every track is amazing, the only one I don’t like is a concert staple from Lemmy and company, “Doctor Rock”.

Favourite track: Nothing Up My Sleeve

  • Deaf Forever
  • Nothing Up My Sleeve
  • Ain’t My Crime
  • Claw
  • Mean Machine
  • Built For Speed
  • Ridin’ With The Driver
  • Doctor Rock
  • Orgasmatron

Versions: Discogs

(1987) Rock ‘n’ Roll

7/10

Underrated Motörhead album that you more or less never hear any fan mention. Personally I think it’s really good. The title track is on my Top 10 Motörhead tracks list (see at the bottom of this page. Eat the Rich, Stone Deaf in the USA and The Wolf are also really great tracks. On the two disc CD version på Sanctuary Records they include a concert, Live At Monsters Of Rock, Castle Donington, UK – 16/8/86. This is probably my all time favourite Motörhead concert. I just love how they sound here.

Favourite track: Rock ‘N’ Roll

  • Rock ‘N’ Roll
  • Eat The Rich
  • Blackheart
  • Stone Deaf In The USA
  • The Wolf
  • Traitor
  • Dogs
  • All For You
  • Boogeyman

Versions: Discogs

(1991) 1916

7/10

Solid album with several good tracks, and here I even like the slower ones like Nightmare/The Dreamtime, Love Me Forever and closing track 1916. Despite having more slow tracks than usual there are also fast smokers here like I’m So Bad (Baby I Don’t Care), Ramones and Shut You Down, and my album favourite No Voice in The Sky.

Favourite track: No Voices In The Sky

  • The One To Sing The Blues
  • I’m So Bad (Baby I Don’t Care)
  • No Voices In The Sky
  • Going To Brazil
  • Nightmare/The Dreamtime
  • Love Me Forever
  • Angel City
  • Make My Day
  • Ramones
  • Shut You Down
  • 1916

Versions: Discogs

(1992) March Ör Die

5/10

It opens up with “Stand” that has some real Heavy Metal riffs, although Lemmy don’t want any comparison with that genre. But the track in itself is kind of boring, feels like someone in the camp wanted them to aim for the top charts, and the album continues in that vein. “I Ain’t No Nice Guy” with Ozzy and “Hellraiser” are both pretty good, but still has that commercial after taste. The only tracks I really like here are “Asylum Choir” and “Name in Vein”.

Favourite track: Asylum Choir

  • Stand
  • Cat Scratch Fever
  • Bad Religion
  • Jack The Ripper
  • I Ain’t No Nice Guy
  • Hellraiser
  • Asylum Choir
  • Too Good To Be True
  • You Better Run
  • Name In Vain
  • March Ör Die

Versions: Discogs

(1993) Bastards

7/10

And here they where back as the real Motörhead again, not that commercial sound that had plagued the last couple of records. “Burner”, “Death or Glory” are real bangers. “Bad Women” is another great track where you can hear Lemmys Rock ‘n’ Roll roots. The slow, kind of ‘funky’ “Liar” is also a stand out song. The last part of the album have these mid-tempo songs I usually don’t fall for, but these are really good. Although “Don’t let daddy kiss me” is a track I can’t listen to, since its making my stomach turn because of the lyrics, so I always skip it.

Favourite track: Liar

  1. On Your Feet Or On Your Knees
  2. Burner
  3. Death Or Glory
  4. I Am The Sword
  5. Born To Raise Hell
  6. Don’t Let Daddy Kiss Me
  7. Bad Woman
  8. Liar
  9. Lost In The Ozone
  10. I’m Your Man
  11. We Bring The Shake
  12. Devils

Versions: Discogs

(1995) Sacrifice

6/10

Slightly above average Motörhead album with a couple of tracks that I would put on a 90 minutes mixtape. Like “Sacrifice”, “Sex & Death”, “All Gone to Hell”. 1950’s rock’n roll a’la Chuck Berry is not my bag at all, as in “Don’t Waste Your Time“, but I know that’s Lemmys foundation.

Favourite track: Sacrifice

  • Sacrifice
  • Sex & Death
  • Over Your Shoulder
  • War For War
  • Fade To Black
  • Dog-Face Boy
  • All Gone To Hell
  • Make ‘Em Blind
  • Don’t Waste Your Time
  • In Another Time
  • Out Of The Sun

Versions: Discogs

(1996) Overnight Sensation

6/10

I kind of like this album although non of the tracks I would be put on a 90 minute Motörhead mix-tape. “Them Not Me” I really like apart from the chorus, and on “Overnight Sensation” it’s the other way around, I like the chorus, but the other parts are just ok.

Favourite track: Broken

  • Civil War
  • Crazy Like A Fox
  • I Don’t Believe A Word
  • Eat The Gun
  • Overnight Sensation
  • Love Can’t Buy You Money
  • Broken
  • Them Not Me
  • Murder Show
  • Shake The World
  • Listen To Your Heart

Versions: Discogs

(1998) Snake Bite Love

4/10

Opener “Love for Sale”is great, also the energetic “Snake Bite Love”, but then it takes a dive, “Dead and Gone”, “Night Side”, Don’t Lie to Me” can go f**k themselves :-). Ok, I kind of enjoy “Joy of Labour” also. But otherwise most of them are b-team Motörhead.

Favourite track: Love for Sale

  • Love For Sale
  • Dogs Of War
  • Snake Bite Love
  • Assassin
  • Take The Blame
  • Dead And Gone
  • Night Side
  • Don’t Lie To Me
  • Joy Of Labour
  • Desperate For You
  • Better Off Dead

Versions: Discogs

(2000) We Are Motörhead

6/10

Apart from the awesome “We Are Motorhead”, this is a pretty average album, not bad just slightly above average.

Favourite track: We Are Motörhead

  • See Me Burning
  • Slow Dance
  • Stay Out Of Jail
  • God Save The Queen
  • Out To Lunch
  • Wake The Dead
  • One More Fucking Time
  • Stagefright / Crash & Burn
  • (Wearing Your) Heart On Your Sleeve
  • We Are Motorhead

Versions: Discogs

(2002) Hammered

6/10

Another Motörhead album from the late 1990’s, early 2000’s that’s more or less just ok. “Brave New World”, “Voices From the War” and “Red Raw” are the tracks I mainly go back to when I listen to this album. The other ones are as I said, just ok.

Favourite track: Brave New World

  • Walk A Crooked Mile
  • Down The Line
  • Brave New World
  • Voices From The War
  • Mine All Mine
  • Shut Your Mouth
  • Kill The World
  • Dr. Love
  • No Remorse
  • Red Raw
  • Serial Killer

Versions: Discogs

(2004) Inferno

10/10

The locomotive that’s Motörhead start to roll with full force in the excellent opening song, “Terminal Show”, and is followed up with one of my all-time favourites “Killers”. The rest of the album is nothing short of amazing. To me as an album, this is Motörheads strongest release.

Favourite track: Killers

  • Terminal Show
  • Killers
  • In The Name Of Tragedy
  • Suicide
  • Life’s A Bitch
  • Down On Me
  • In The Black
  • Fight
  • In The Year Of The Wolf
  • Keys To The Kingdom
  • Smiling Like A Killer
  • Whorehouse Blues

Versions: Discogs

(2006) Kiss of Death

9/10

I thought it was gonna be impossible to follow up my favourite Motörhead album “Inferno” from 2004, but holy crap this one is good, not as good as “Inferno”, but right up there. Just listen to “Trigger” or “Sucker” … masterpieces! Other stand-out tracks are “One Night Stand”, “Sword of Glory”, “Be My Baby” and the ballad “God Was Never on Your Side”.

Favourite track: Trigger

  • Sucker
  • One Night Stand
  • Devil I Know
  • Trigger
  • Under The Gun
  • God Was Never On Your Side
  • Living In The Past
  • Christine
  • Sword Of Glory
  • Be My Baby
  • Kingdom Of The Worm
  • Going Down

Versions: Discogs

(2008) Motörizer

5/10

My favourite Motörhead album title, but not my favourite album when it comes to the music. Only about 3 tracks I take away from this one, When The Eagle Screams and Time is Right (… and maybe The Thousand Names of God). But the album includes one of my all-time favourite Motörhead tracks, Rock Out or should I say Rock Out … With Your Cock Out 🙂

Favourite track: Rock Out

  • Runaround Man
  • Teach You How To Sing The Blues
  • When The Eagle Screams
  • Rock Out
  • One Short Life
  • Buried Alive
  • English Rose
  • Back On The Chain
  • Heroes
  • Time Is Right
  • The Thousand Names Of God

Versions: Discogs

(2010) The World is Yours

7/10

A solid Motörhead album, but no real highs or real lows. Favourite tracks Get Back in Line, Brotherhood of Man and I Know What You Need.

Favourite track: I Know What You Need

  • Born To Lose
  • I Know How To Die
  • Get Back In Line
  • Devils In My Head
  • Rock ‘N’ Roll Music
  • Waiting For The Snake
  • Brotherhood Of Man
  • Outlaw
  • I Know What You Need
  • Bye Bye Bitch Bye Bye

Versions: Discogs

(2013) Aftershock

8/10

The albums open up with a great track, Heartbreaker. Followed by Coup de Grace that’s also really good. I usually don’t like ”white mans electric blues”, I prefer aucoustic southern states 1930’s blues, but Lost Woman Blues is awesome. End of Time, Going to Mexico, Paralyzed and Queen Of The Damned is that full-speed Motörhead that I love. The only tracks I could do without is Death Machine and Dust and Glass.

Favourite track: Queen of the Damned

  • Heartbreaker
  • Coup De Grace
  • Lost Woman Blues
  • End Of Time
  • Do You Believe
  • Death Machine
  • Dust And Glass
  • Going To Mexico
  • Silence When You Speak To Me
  • Crying Shame
  • Queen Of The Damned
  • Knife
  • Keep Your Powder Dry
  • Paralyzed

Versions: Discogs

(2015) Bad Magic

7/10

It starts out in full force with “Victory or Die” and “Thunder & Lightning” and continues in that higher Motörhead standard that was present before 1996, and after 2002 Apart from mentioned awesome tracks we get a bunch more good ones as for example “Evil Eye”. The only one I could do without is “The Devil”.

Favourite track: Thunder & Lightning

  • Victory Or Die
  • Thunder & Lightning
  • Fire Storm Hotel
  • Shoot Out All Of Your Lights
  • The Devil
  • Electricity
  • Evil Eye
  • Teach Them How To Bleed
  • Till The End
  • Tell Me Who To Kill
  • Choking On Your Screams
  • When The Sky Comes Looking For You
  • Sympathy For The Devil

Versions: Discogs

MY ALBUM RANKING

  1. Inferno (2004) 10/10
  2. Orgasmatron (1986) 9/10
  3. Ace of Spades (1980) ) 9/10
  4. Another Perfect Day (1983) 9/10
  5. Kiss of Death (2006) 9/10
  6. Aftershock (2013) 8/10
  7. Rock ‘n’ Roll (1987) 7/10
  8. Overkill (1979) 7/10
  9. Motörhead (1978) 7/10
  10. 1916 (1991) 7/10
  11. Bad Magic (2015) 7/10
  12. Bastards (1993) 7/10
  13. The World is Yours (2010) 7/10
  14. Iron Fist (1982) 6/10
  15. Overnight Sensation (1996) 6/10
  16. We Are Motörhead (2000) 6/10
  17. Sacrifice (1995) 6/10
  18. Hammered (2002) 6/10
  19. Bomber (1978) 5/10
  20. March Ör Die (1992) 5/10
  21. Motörizer (2008) 5/10
  22. Snake Bite Love (1998) 4/10

METAL ARCHIVE READERS ALBUM RANKING

  1. 1916 (1991) 93%
  2. Sacrifice (1995) 92%
  3. Orgasmatron (1986) 91%
  4. Overkill (1979) 90%
  5. Motörizer (2008) 89%
  6. Inferno (2004) 88%
  7. Overnight Sensation (1996) 87%
  8. Hammered (2002) 86%
  9. Bad Magic (2015) 86%
  10. Ace of Spades (1980) 85%
  11. Another Perfect Day (1983) 85%
  12. Bastards (1993) 84%
  13. Kiss of Death (2006) 83%
  14. Aftershock (2013) 81%
  15. Bomber (1979) 80%
  16. Iron Fist (1982) 80%
  17. Motörhead (1977) 76%
  18. March Ör Die (1992) 76%
  19. The World is Yours (2010) 74%
  20. Rock ‘n’ Roll (1987) 72%
  21. We Are Motörhead (2000) 68%
  22. Snake Bit Love (1998) 66%

Ratings from Metal Archives fantastic metal encyclopedia website. You find it HERE!

Notes: Although I reviewed “No Remorse”, I don’t consider it a studioalbum so it’s not present on the lists above.

The Metal Archive readers ratings is kind of a surprising list to me. I thought Ace of Spades where peoples favourite album, but comes in first at number 10. Also, that 1916 was their favourite is surprising to me. One of my favourite albums “Rock ‘n’ Roll” is at #20 on the readers list. I was also surprised that “Bomber” wasn’t higher up, I thought it was just me that didn’t have it in a Top-10 spot.

MY 20 TOP MOTÖRHEAD TRACKS

I want my Motörhead to be fast and dirty, and some of their songs that they have played for ages live doesn’t really do it for me, like Stay Clean, Metropolis, Going to Brazil etc. Looking at my list it seems I ‘m a sucker for their album title tracks.

  1. Rock ‘n’ Roll
  2. Ace of Spades
  3. Rock Out
  4. Iron Fist
  5. Overkill
  6. Killers
  7. We Are Motörhead
  8. The Hammer
  9. Motörhead
  10. In The Black
  11. Snaggletooth
  12. Killed by Death
  13. Bomber
  14. No Voices in The Sky
  15. Queen of the Damned
  16. Sucker
  17. Burner
  18. In the Name of Tragedy
  19. Trigger
  20. Thunder & Lightning

… And The Motörhead History Continues here

The name “Motörhead” is a reference to users of the drug amphetamine. The band’s distinctive fanged-face logo, with its oversized boar’s tusks, chains, and spikes, was created by artist Joe Petagno in 1977 for the cover of the Motörhead album and has appeared in many variations on covers of ensuing albums. The fanged face has been referred to variously as “War-Pig” and “Snaggletooth”. The band’s name is usually printed in a lowercase form of blackletter. The umlaut character ö is possibly derived from the similar “heavy metal umlaut” in the name of their 1975 acquaintances Blue Öyster Cult. However, this umlaut does not alter the pronunciation of the band’s name. When asked if Germans pronounced the band “Motuuuurhead”, Lemmy answered “No, they don’t. I only put it in there to look mean”. Snaggletooth B Motörhead on Motörhead’s first album

Snaggletooth is the fanged face that serves as the symbol of Motörhead. Artist Joe Petagno drew it in 1977 for the cover of the band’s debut album (with designer Phil Smee who turned it into a negative and did the lettering to complete the logo), having met Lemmy while doing some work with Hawkwind. Petagno stated:

The inspiration came from just being a naturally pissed-off bastard! And Lemmy’s the same way!
So it was bound to be an alchemal wedding of a more “primordial nature”. I did a lot of research
on skull types and found a cross-breed gorilla-wolf-dog combination would work nicely with
some oversized boars horns. Lemmy added Helmet, chains, spit, spikes and grit.

Eddie Clarke was less sure about the imagery to begin with:

I shuddered when I saw it the first time. I thought, “Blimey, this ain’t gonna go down
that well”, because it was just way over the top, then. But I grew to love it …
[At first] it was not scary or horrifying, it would’ve been, in those days, deemed bad taste.

It has remained a symbol of Motörhead throughout the years, with Petagno creating many variations of Snaggletooth, or as some have called it and written it down as War-Pig, for the covers of ensuing albums. Only two of the original covers for Motörhead’s 22 studio albums do not feature any variation of War-Pig on the cover: On Parole and Overnight Sensation (of which, On Parole was never sanctioned by the band), and was in any case reissued with a black Snaggletooth on a white background. Phil is wearing a Snaggletooth badge on the cover of Ace of Spades. The cover of “Iron Fist” depicts a metal gauntlet wearing four skull-shaped rings, one of which is Snaggletooth, while the rear of the album-sleeve shows a fully detailed 3-D metal sculpture of the symbol. Originally the Snaggletooth design included a swastika on one of the helmet’s spikes. This was painted out on later re-releases of the albums on CD.

On 21 September 2007, Petagno announced that “there will be no more “HEADS” from my hand”, citing irreconcilable differences between himself and the band’s current management, Singerman Entertainment. Petagno stated:

It has been a long, exciting and industrious journey, full of art and intuition, difference in repetition, and creative innovation. I feel I accomplished something unique in Metal history over the last 31 years by breathing life again and again into a figment of my own imagination, an image or better an entity which has taken on a life of its own, which I actually believe goes beyond the music it was created to represent. I’m damn proud of that!

In reply, Lemmy stated:

As many of you know, we have been working with Joe Petagno for 31 years. We always treated Joe fairly, and I would like to stress that at no time did my manager demand what Joe thinks he demanded — it is all a colossal misunderstanding. We have always loved his artwork, obviously, and if he now decides to stop working with us, we have no choice but to use someone else. However … if he will not discuss this personally and try to work things out, I think it’s a great tragedy. If Joe continues with us, no one would be more delighted than me. If it’s goodbye, Joe, I wish you well, but I hope, even at this stage, to be reconciled and continue our association.

Formation and early years, 1975–1977

Lemmy was dismissed from Hawkwind in May 1975 after being arrested in Canada for drug possession;[17][18] he said the band dismissed him for “doing the wrong drugs”.[19] Now on his own, Lemmy decided to form a new band called Motörhead, the name was inspired by the final song he had written for Hawkwind.[20]

Lemmy wanted the music to be “fast and vicious, just like the MC5”.[21] His stated aim was to “concentrate on very basic music: loud, fast, city, raucous, arrogant, paranoid, speedfreak rock n roll … it will be so loud that if we move in next door to you, your lawn will die”.[22] He recruited guitarist Larry Wallis (formerly of Pink Fairies) on the recommendation of Mick Farren, based on Wallis’ work with Steve Peregrin Took’s band Shagrat, and Lucas Fox on drums. According to Lemmy, the band’s first practice was at the now defunct Sound Management rehearsal studios, in Kings Road, Chelsea in 1975. Sound Management leased the basement area of furniture store The Furniture Cave, located in adjacent Lots Road. Kilmister has said they used to steal equipment, as the band was short on gear.[23] Their first engagement was supporting Greenslade at The Roundhouse, London on 20 July 1975.[24] On 19 October, having played 10 gigs, they became the supporting act to Blue Öyster Cult at the Hammersmith Odeon.[25]

The band were contracted to United Artists by Andrew Lauder, the A&R man for Lemmy’s previous band, Hawkwind.[26] They recorded sessions at Rockfield Studios in Monmouth with producer Dave Edmunds, during which Fox proved to be unreliable and was replaced by drummer Phil “Philthy Animal” Taylor, a casual acquaintance of Lemmy’s. Their record label was dissatisfied with the material and refused to release it, although it was subsequently issued as On Parole in 1979 after the band had established some success.[27]

In March 1976, deciding that two guitarists were required, the band auditioned an acquaintance of drummer Taylor’s named “Fast” Eddie Clarke.[28] Wallis, who was continuing to tour with a reformed Pink Fairies, quit immediately after the auditions and Clarke remained as the sole guitarist. This trio of Lemmy/Clarke/Taylor is today regarded as the “classic” Motörhead line-up.[29] In December, the band recorded the “Leaving Here” single for Stiff Records, but United Artists intervened to prevent its general release as the band were still under contract to them, despite the label’s refusal to issue their debut album. Initial reactions to the band had been unfavourable; they won a poll for “the best worst band in the world” in the music magazine NME.[30]

By April 1977, living in squats and with little recognition, Taylor and Clarke decided to quit the band, and after some debate, they agreed to do a farewell show at the Marquee Club in London. Lemmy had become acquainted with Ted Carroll from Chiswick Records and asked him to bring a mobile studio to the show to record it for posterity. Carroll was unable to get the mobile unit to the Marquee Club, but showed up backstage after the engagement and offered them two days at Escape Studios with producer Speedy Keen to record a single. The band took the chance, and instead of recording a single they laid down 11 unfinished tracks. Carroll gave them a few more days at Olympic Studios to finish the vocals and the band completed 13 tracks for release as an album.[31] Chiswick issued the single “Motorhead” in June, followed by the album Motörhead in August, which spent one week in the UK Albums Chart at number 43.[24][32] The band toured the UK supporting Hawkwind in June, then from late July they commenced the “Beyond The Threshold Of Pain Tour” with The Count Bishops.[24]

In August, Tony Secunda took over the management of the band, and their cohesiveness became so unstable that by March 1978, Clarke and Taylor had formed and were performing as The Muggers with Speedy Keen and Billy Rath.[22]

Rise to success: Overkill and Bomber, 1978–1979

In July 1978, the band returned to the management of Douglas Smith, who secured a one-off singles deal with Bronze Records.[22] The resulting “Louie Louie” single was issued in September peaking at number 68 on the UK Singles Chart,[32] and the band toured the UK to promote it, recorded a BBC Radio 1 John Peel in session on 18 September (these tracks were later issued on the 2005 BBC Live & In-Session album), and appeared for the first time on BBC Television’s Top of the Pops on 25 October.[24] Chiswick capitalised on this new level of success by re-issuing the debut album Motörhead on white vinyl through EMI Records.

The single’s success led to Bronze extending their contract, and put the band back into the studio to record an album, this time with producer Jimmy Miller at Roundhouse Studios.[27] A hint of what the band had recorded for the album came on 9 March 1979 when the band played “Overkill” on Top of the Pops to support the release of the single ahead of the Overkill album, which was released on 24 March. It became Motörhead’s first album to break into the top 40 of the UK Albums chart, reaching number 24, with the single reaching number 39 on the UK Singles Chart.[32] These releases were followed by the “Overkill” UK tour which began on 23 March.[24] A subsequent single was released in June, coupling the album track “No Class” as the A-side with the previously unreleased song “Like a Nightmare” on the B-side. It fared worse than both the album and previous single but reached number 61 on the UK singles chart.[32]

During July and August, except for a break to appear at the Reading Festival, the band were working on their next album, Bomber. Released on 27 October, it reached number 12 on the UK Albums Chart.[32] On 1 December, it was followed by the “Bomber” single, which reached number 34 on the UK Singles Chart.[32] The “Bomber” Europe and UK tour followed, with support from Saxon. The stage show featured a spectacular aircraft bomber-shaped lighting rig. During the “Bomber” tour, United Artists put together tapes recorded during the Rockfield Studios sessions in 1975–1976 and released them as the album On Parole, which peaked at number 65 on the UK Albums Chart in December.[32]

On 8 May 1980, while the band were on tour in Europe, Bronze released The Golden Years, which sold better than any of their previous releases, reaching number eight on the UK Singles Chart.[32] The band had, however, preferred the title Flying Tonight, in reference to the “Bomber” lighting rig. On 20 August, the band had a 40-minute filmed slot, along with Girlschool’s 20 minutes performing live at the Nottingham Theatre Royal for the Rockstage programme, broadcast on UK television by the ATV on 4 April 1981.[33]

Ace of Spades and Iron Fist, 1980–1982

During August and September 1980, the band were at Jackson’s Studios in Rickmansworth, recording with producer Vic Maile. The “Ace of Spades” single was released on 27 October 1980 as a preview of the Ace of Spades album, which followed on 8 November.[27] The single reached No. 15 and the album reached No. 4 on the UK charts.[32] Bronze celebrated its gold record status by pressing a limited edition of the album in gold vinyl.

Motörhead made an appearance on Top of the Pops in November that year with “Ace of Spades”, and between 22 October and 29 November the band were on their “Ace Up Your Sleeve” UK tour with support from Girlschool and Vardis, and also made an appearance as guests on the ITV children’s show Tiswas on 8 November.[24] The “Arizona desert-style” pictures used on the album sleeve and tour booklet cover were taken during a photo session at a sandpit in Barnet.[34] “Ace of Spades”, considered to be the definitive Motörhead anthem,[35] “put a choke on the English music charts and proved to all that a band could succeed without sacrificing its blunt power and speed”.[36]

To coincide with the Ace of Spades release, Big Beat, who had inherited the Chiswick catalogue, put together four unused tracks from the Escape Studios sessions in 1977 and released them as Beer Drinkers and Hell Raisers, which reached No. 43 on the UK Singles Chart in November.[27][32]

The band had more chart hits in 1981 with the releases St. Valentine’s Day Massacre EP, their collaboration with Girlschool which reached No. 5 on the UK Singles Chart in February; the live version of “Motorhead”, which reached No. 6 on the UK Singles Chart in July; and the album it was taken from, No Sleep ’til Hammersmith, which reached No. 1 on the UK Albums Chart in June.[32] During March 1981, the band had been touring Europe, and in the final week of the month they conducted the “Short Sharp, Pain in the Neck” UK tour from which the recordings for No Sleep ’til Hammersmith were made.[24]

From April through to July, the band toured North America for the first time as guests of Blizzard of Ozz, an early incarnation of Ozzy Osbourne’s band, but were still able to make an appearance on Top of the Pops on 9 July to promote the live “Motorhead” single. In October the band recorded tracks at BBC’s Maida Vale studio for the David Jensen show broadcast on 6 October. The band commenced a European tour on 20 November, supported by Tank, after which Clarke produced Tank’s debut album Filth Hounds of Hades at Ramport Studios in December and January.

Between 26 and 28 January 1982, the band started recording their self-produced new album at Ramport Studios, before moving onto Morgan Studios to continue the sessions throughout February. On 3 April the single “Iron Fist” was released, reaching No. 29 on the UK Singles Chart, followed by the parent album Iron Fist, released on 17 April and peaking at No. 6 on the UK Albums Chart.[32] They were the last releases to feature the Lemmy, Clarke, Taylor line-up, though the line-up continued to perform in the Iron Fist UK tour between 17 March and 12 April, and the band’s first headlining North America tour from 12 May until Clarke’s last engagement at the New York Palladium on 14 May.[24]

Departures, Another Perfect Day and No Remorse, 1982–1985

Clarke left as a consequence of the band recording Stand By Your Man, a cover version of the Tammy Wynette classic, in collaboration with Wendy O. Williams and the Plasmatics. Clarke felt that the song compromised the band’s principles, refused to play on the recording and resigned, later forming his own band, Fastway. Lemmy and Taylor made numerous telephone calls to find a guitarist, including one to Brian Robertson, formerly with Thin Lizzy, who was recording a solo album in Canada. He agreed to help out and complete the tour with them. Robertson signed a one-album deal resulting in 1983’s Another Perfect Day and the two singles from it, “Shine” and “I Got Mine”.[27]

In June and July the band played five dates in Japan, and from mid-October until mid-November they toured Europe. From late May until early July, the band conducted the “Another Perfect Tour”, followed by an American tour between July and August, and another European tour in October and November.[24] Robertson began to cause friction in the band as a result of his on-stage attire, consisting of shorts and ballet shoes, and with his pointblank refusal to play the old standards that every Motörhead audience expected to hear. This led to an amicable agreement that Robertson would leave,[27][37] playing his last engagement with the band at the Berlin Metropol on 11 November.[24]

After Robertson’s departure in 1983, the band were sent tapes from all over the world from potential guitarists. The group returned to the concept of dual lead guitars by hiring unknowns Würzel and Phil Campbell (formerly of Persian Risk).[27] In February 1984, the Lemmy, Campbell, Würzel, and Taylor line-up recorded “Ace of Spades” for the “Bambi” episode in the British television series, The Young Ones. Scenes of the band playing are interspersed with the characters’ antics as they rush to the railway station, in a parody of The Beatles’ comedy film A Hard Day’s Night.[38] Taylor quit the band after that recording, causing Lemmy to quip: “Did I leave them or did they leave me?”. Before joining Motörhead, Phil Campbell had met former Saxon drummer Pete Gill, and the trio decided to call him to see if he would like to visit London. The try-outs went well and Gill was hired.[27]

Bronze Records thought the new line-up would not make the grade and decided to “nail down the lid” on the group with a compilation album. When Lemmy found out, he took over the project, selecting tracks, providing sleeve notes and insisted that Motörhead record four brand new tracks to go at the end of each side of the album.[27] During the sessions between 19 and 25 May 1984 at Britannia Row Studios, London, the band recorded six tracks for the single’s B-side and the album. The single “Killed by Death” was released on 1 September and reached No. 51 in the UK Singles Chart, the double album No Remorse was released on 15 September and reached silver disc status, attaining the position of No. 14 in the UK Album charts.[24][32]

The band were involved in a court case with Bronze over the next two years, believing that their releases were not being promoted properly, and the record company banned them from the recording studio.[27] The band looked to more touring for income; Australia and New Zealand in late July to late August, a brief tour of Hungary in September, and the No Remorse “Death on the Road” tour between 24 October and 7 November. On 26 October the band made a live appearance on the British Channel 4 music programme The Tube, performing “Killed By Death”, “Steal Your Face” (over which the programme’s end-credits were played) and the unbroadcast “Overkill”, before going on to their next engagement that evening. From 19 November to 15 December the band toured America with Canadian speed metal band Exciter and Danish heavy metal band Mercyful Fate and from 26 to 30 December performed five shows in Germany.[24]

On 5 April 1985, ITV broadcast four songs that were recorded after the band went off air on their earlier appearance on The Tube programme. A week later the band, dressed in tuxedos, played four songs on the live Channel 4 music show ECT (Extra-Celestial Transmission). To celebrate the band’s 10th anniversary, two shows were arranged at Hammersmith Odeon on 28 and 29 June, a video of the second show was taken and later released as The Birthday Party. From early June until early August the band were on their ‘It Never Gets Dark’ tour of Sweden and Norway, an American tour followed in mid-November until late December.[24]

Orgasmatron and Rock ‘n’ Roll, 1986–1989

From 26 March to 3 April 1986, the band toured Germany, the Netherlands and Denmark on their “Easter Metal Blast” and in June, played two dates in Bologna and Milan in Italy. The court case with Bronze was finally settled in the band’s favour. The band’s management instigated their own label, GWR.[27] Recording took place in Master Rock Studios, London and the single “Deaf Forever” was released on 5 July as a taster for the Orgasmatron album, which was released on 9 August. On the same day as the release of the album, Lemmy and Würzel were interviewed by Andy Kershaw on the BBC Radio 1 Saturday Live show and “Orgasmatron” and “Deaf Forever” were played. The single reached No. 67 and the album reached No. 21 in the UK charts.[32]

On 16 August, the band played at the Monsters of Rock at Castle Donington and was recorded by BBC Radio 1 for a future Friday Rock Show broadcast. The performance closed with a flypast by a couple of Second World War German aircraft. Also that day Lemmy was filmed giving his views on spoof metal act “Bad News” for inclusion in a Peter Richardson Comic Strip film entitled “More Bad News” since the band featuring Rik Mayall, Peter Richardson, Nigel Planer and Adrian Edmondson were also performing at Donington. In September the band conducted their “Orgasmatron” tour in Great Britain, supported by fledgling act Zodiac Mindwarp and the Love Reaction. In October they toured America and in December were in Germany.[24]

In 1987, during the filming of Eat the Rich – in which Lemmy was taking a starring role alongside well-known comedy actors such as Robbie Coltrane, Kathy Burke, the regulars from The Comic Strip ensemble, and various other musician cameo appearances[39] – Gill left the band and Taylor returned to appear in the band’s cameo as “In House Club Band” alongside Würzel and Campbell. The band wrote “Eat the Rich” especially for the film, its soundtrack featured tracks from Orgasmatron and Würzel’s solo single “Bess”. The band’s second album for GWR was Rock ‘n’ Roll, released on 5 September, after a tight work schedule in the studio. While having some popular tracks and using “Eat the Rich” as its second track, the band commented that the album was virtually “nailed together”.[27]

On 2 July 1988 Motörhead were one of the performers at the Giants of Rock Festival in Hämeenlinna, Finland. The tracks were released as No Sleep at All on 15 October. A single from the album was planned with the band wanting “Traitor” as the A-side, but “Ace of Spades” was chosen instead. When the band noticed the change, they refused to allow the single to be distributed to the shops, and it was withdrawn and became available only on the “No Sleep at All” tour and through the Motörheadbangers fan club. While they continued to play live shows during 1989 and 1990, Motörhead once again felt unhappy with their career, and a court case with GWR followed, which was not resolved until mid-1990.[27]

Epic/WTG years: 1916 and March ör Die, 1990–1992

With the court case resolved, Motörhead signed to Epic/WTG and spent the last half of 1990 recording a new album and single in Los Angeles.[27] Just prior to the album sessions the band’s former manager, Doug Smith, released the recording of the band’s 10th anniversary show, much against the bands wishes, having previously told him that they did not want it released, in 1986. In the studio they recorded four songs with producer Ed Stasium, before deciding he had to go.

When Lemmy listened to one of the mixes of “Going to Brazil”, he asked for him to turn up four tracks, and on doing so heard claves and tambourines that Stasium had added without their knowledge. Stasium was fired and Peter Solley was hired as producer. The story according to Stasium was that Lemmy’s drug and alcohol intake had far exceeded the limitations of Stasium’s patience so he quit.[40] The single “The One to Sing the Blues” issued on 24 December 1990 (7″ and CD) and 5 January 1991 (12″), was followed by the album 1916 on 21 January. The single, which was issued in 7″, cassette, shaped picture disc, 12″ and CD single, reached No. 45 in the UK Singles Chart, the album reached No. 24 in the UK Album Charts.[24][32]

The band conducted their “It Serves You Right” tour of Britain in February, the “Lights Out Over Europe” tour followed, lasting until early April, when the band returned to Britain to play another six venues. In June the band played five dates in Japan and five dates in Australia and New Zealand. Between July and August, they played across the United States with Judas Priest, Alice Cooper, Metal Church and opener Dangerous Toys on the “Operation Rock ‘n’ Roll” tour. The band finished the year with six dates in Germany during December.[41]

On 28 March 1992, the band played what would turn out to be Taylor’s last engagement at Irvine Meadows, Irvine, California.[41] The band had been wanting Lemmy to get rid of their manager, Doug Banker, for some time and after an unsolicited visit from Todd Singerman, who insisted he should manage them despite never having managed a band before, the band met with Singerman and decided to take him on board, firing Banker.[42] In the midst of this, the band were recording an album at Music Grinder Studios, in the city’s east part of Hollywood during the 1992 Los Angeles riots. Three drummers participated in the making of the March ör Die album: Phil Taylor, who was fired because he did not learn the drum tracks on the song “I Ain’t No Nice Guy”; Tommy Aldridge who recorded most of the material on the album; and Mikkey Dee, who recorded “Hellraiser”, a song originally written by Lemmy for Ozzy Osbourne’s No More Tears album. March ör Die features guest appearances by Ozzy Osbourne and Slash.[24]

BastardsSacrifice and Overnight Sensation, 1993–1997

Lemmy had known Mikkey Dee from the time when King Diamond had toured with Motörhead. He had asked Dee to become Motörhead’s drummer before, but Dee had declined due to his commitment to King Diamond. On this occasion, Dee was available and met the band to try out. Playing the song “Hellraiser” first, Lemmy thought “he was very good immediately. It was obvious that it was going to work.” After recording “Hellraiser” and “Hell on Earth” in the studio,[43] Dee’s first engagement with Motörhead was on 30 August at the Saratoga Performing Arts Center. The new line-up then went on tour, playing dates with Ozzy Osbourne, Skew Siskin and Exodus. On 27 September, the band played at the Los Angeles Coliseum with Metallica and Guns N’ Roses. The band toured Argentina and Brazil during October and conducted the “Bombers and Eagles in ’92” tour of Europe with Saxon throughout December.[41]

Motörhead played two dates at the Arena Obras Sanitarias in Buenos Aires in April 1993 and toured Europe from early June until early July, returning to the United States to play one show at the New York Ritz on 14 August.[41] A new producer was sought for the band’s next album and eventually Howard Benson, who was to produce the band’s next four albums, was chosen. The band recorded at A&M Studios and Prime Time Studios in Hollywood and the resultant album, titled Bastards, was released on 29 November 1993. The single “Don’t Let Daddy Kiss Me” included the song “Born to Raise Hell”, which also appeared on the album and would later be re-recorded with collaborative vocals from both Ice-T and Ugly Kid Joe frontman Whitfield Crane for the soundtrack of the movie Airheads (in which Lemmy also made a cameo appearance) and released as a single in its own right. Although Bastards received airtime, the record company ZYX Music would not pay for promotional copies, so the band sent out copies themselves.[44] A further tour of Europe was made throughout December that year.[41]

In February and March 1994, Motörhead toured the United States with Black Sabbath and Morbid Angel. In April the band resumed their tour of the States until early May, playing an engagement with the Ramones on 14 May at the Estadio Velez in Buenos Aires,[41] attracting a crowd of 50,000 people.[45] The band toured Japan in late May and Europe in June, August and December.[41]

The band’s 1995 touring schedule began in Europe in late April. In June, they went on a second tour with Black Sabbath, this time supported by Tiamat, until the band succumbed to influenza and headed back to Los Angeles and Cherokee Studios in Hollywood where they were to record an album. During the sessions it became clear that Würzel was not extending himself and left the band after the recording.[46] The title track from the album, Sacrifice, was later used in the movie Tromeo and Juliet, a film in which Lemmy appears as the narrator. The band decided to continue as a three-man line-up and a tour of Europe was performed throughout October and the first two days of November. A three-day tour of South America followed the week after. Lemmy celebrated his 50th Birthday later that year with the band at the Whisky a Go Go in Los Angeles; Metallica played at the event under the name “The Lemmy’s”.[41]

In 1996, the band began touring the States in early January and played 30 venues up to 15 February; a seven-date tour of Europe in June and July was followed by two engagements in South America during August. A tour of the United States with Belladonna and Speedball began with two shows (Los Angeles & Hollywood) in early October 1996 and concluded in Washington on 4 December.[41] During this time the band had recorded Overnight Sensation, at Ocean Studio and Track House Recording Studio. The album was released on 15 October, the first official album of the band as a three-piece since Another Perfect Day and the best distributed album the band had had for years.[47] The band concluded the year’s touring with 13 dates in Germany.[41]

During 1997, the band toured extensively, beginning with the first leg of the Overnight Sensation tour in Europe on 12 January at the London Astoria, where the guest musicians were Todd Campbell, Phil Campbell’s son, on “Ace of Spades” and “Fast” Eddie Clarke for “Overkill”. The European leg lasted until March and was followed by four dates in Japan, from late May to 1 June, and an American tour with W.A.S.P. throughout the rest of June. In August, three dates in Europe were followed by seven dates in Britain, which ended with a show at the Brixton Academy on 25 October, where the guest musician was Paul Inder, Lemmy’s son, for “Ace of Spades”. A further four dates in October in Russia concluded the year 1997.[41]

Snake Bite LoveWe Are Motörhead and Hammered, 1998–2003

Lemmy recalled that the touring was going particularly well, with some countries like Argentina and Japan putting the band in larger venues, and the English promoters discovered that “they could turn a nice profit with Motörhead shows”. In his opinion, the three-piece line-up was performing excellently and it was high time they made another live record.[48] The band did eventually, but made another studio album first, Snake Bite Love, recorded in various studios and released on 3 March 1998.

The band joined with Judas Priest at the Los Angeles Universal Amphitheatre on 3 April, to begin their “Snake Bite Love” tour. On 21 May, Motörhead were recorded at The Docks in Hamburg. The tracks from this performance were later released as Everything Louder Than Everyone Else. The band were invited to join the Ozzfest Tour and played dates across the States during early July until early August and were in Europe from early October until late November. The British leg of the tour was dubbed the “No Speak With Forked Tongue” tour and included support bands Groop Dogdrill, Radiator and Psycho Squad, which was fronted by Phil Campbell’s son Todd.[41]

In 1999 Motörhead made a tour of the states between 20 April and 2 June, before going to Karo Studios in Brackel, Germany to record their next album, We Are Motörhead, which was released in May the following year. During the time the album sessions took place, the band played at venues around Europe, the first of which was at Fila Forum in Assago, near Milan, where Metallica’s James Hetfield joined the band on-stage to play “Overkill”. In October and early November, the band toured the states with Nashville Pussy. Throughout the rest of November, the band conducted their European “Monsters of the Millennium” tour with Manowar, Dio and Lion’s Share, ending the Millennium with two shows at the London Astoria. The two shows were billed under the Kerrang! “X-Fest” banner and at the first show were supported by Backyard Babies and during the second show guest vocals were provided by Skin from Skunk Anansie and Nina C. Alice from Skew Siskin for “Born to Raise Hell”, and Ace from Skunk Anansie played “Overkill” with the band.[41]

Entrance ticket for the 25th anniversary concert at the Brixton Academy on 22 October 2000

In May 2000, the release of We Are Motörhead and the single from it, a cover of the Sex Pistol’s “God Save the Queen”, coincided with the start of the band’s “We Are Motörhead” tour across South and North America during May and June, with a further nine shows across in Europe in July. Shows in the United States and France were followed by the release of a double-disc compilation album, The Best Of, on 26 August.

Four dates in Japan preceded the band’s 25th anniversary concert on 22 October at the Brixton Academy in London, where guest appearances were made by “Fast” Eddie Clarke, Brian May, Doro Pesch, Whitfield Crane, Ace, Paul Inder and Todd Campbell. The show also featured the return of the Bomber lighting rig. The event was filmed and released the following year as the 25 & Alive Boneshaker DVD, and the CD of the show, Live at Brixton Academy, was released two years after that.[41] Lemmy states the reason for the DVD as wanting “to record it for the posterity or whatever it is. I nodded off through the 10th anniversary, we never did anything on the 20th, so the 25th made sense.”[30]

A tour of West and East Europe followed the anniversary concert, taking the band through October, November and December.[41] The schedule for the Eastern European tour was quite brutal, involving two 18-hour drives back-to-back and little time off, at the Warsaw venue the band did not arrive until 11 o’clock and the crew were still loading into the venue at one in the morning, while the fans waited.[49]

After taking a month off, the band began working on a new album at Chuck Reid’s house in the Hollywood Hills. This album, Hammered, was released the following year. On 1 April 2001, the band gave a one-song performance for Triple H’s entrance at WrestleMania X-Seven at the Reliant Astrodome in Houston. The second leg of the “We Are Motörhead” tour began in May in Ireland, moving across to the United Kingdom. In Manchester, the band were supported by Goldblade, and by Pure Rubbish at the two London shows. The second London show also included Backyard Babies and Paul Inder, who was guest musician for “Killed By Death”. Between June and August, Motörhead played at a number of rock festivals in Europe; including as the Graspop Metal Meeting in Belgium, the Quart Festival in Norway, and the Wacken Open Air on 4 August, where four songs were recorded for the 25 & Alive Boneshaker DVD. The band returned to the States for a seven show tour between late September and early October.[41]

In April 2002, a DVD of some of Motörhead’s performances from the 1970s and 1980s along with some stock footage of the band was released as The Best of Motörhead. Two weeks earlier, the Hammered album was released and supported by the “Hammered” tour, which kicked off in the States at around the same time. The United States dates continued until late May, and a European leg followed between June and August. In October, the band played five dates in Great Britain with Anthrax, Skew Siskin and Psycho Squad. The final venue was the Wembley Arena in London, where instead of Psycho Squad, the band were supported by Hawkwind, with Lemmy performing “Silver Machine” on stage with them. Throughout the rest of October and better part of November, the band were on a European tour with Anthrax.[41]

In April and May 2003, the band continued to promote the Hammered album in the States, and on the three dates Phil Campbell had to miss, his mother having died, Todd Youth stood in for him. Between late May and mid-July the band played seven dates at Summer Festivals in Europe and from late-July until the end of August, they were touring the United States with Iron Maiden and Dio. On 7 October a comprehensive five-disc collection of the band’s recordings covering 1975–2002 was released as Stone Deaf Forever!. On 1 September 2003, the band returned to Hollywood’s Whisky A Go-Go club for the Hollywood Rock Walk of Fame Induction. During October, the band performed a tour of Great Britain with The Wildhearts and Young Heart Attack. The band performed seven shows across Belgium, the Netherlands and Spain between 21 and 28 October and from late November until early December they were in Germany and Switzerland, touring with Skew Siskin and Mustasch. On 9 December, the previously recorded Live at Brixton Academy album was released.[41]

InfernoKiss of Death and Motörizer, 2004–2009

Motörhead performed an invitation-only concert at the Royal Opera House in Covent Garden, London on 22 February 2004; at Summer Festivals in South America during May; and in Europe during June, July and August. They had already spent time in the studio, working on Inferno, which was released on 22 June and followed by the “Inferno” tour of Ireland with Class of Zero for three dates. Joined by Sepultura, the tour hit Great Britain.[50] Some of the London show at the Hammersmith Apollo was filmed for TV as Gene Simmons introduced the extra opening act The Class, made up of school children from his Channel 4 series Rock School. Würzel guested on “Overkill”. The band continued the tour with Sepultura across Europe through the rest of November and December. At the show in Magdeburg, Germany on 4 December Motörhead joined Sepultura on stage during their support slot playing the song “Orgasmatron”, in celebration of Sepultura’s 20th Anniversary. The show on 7 December at the Philipshalle in Düsseldorf was recorded and later released as the Stage Fright DVD.[41]

Motörhead picked up their first Grammy in the awards of 2005 in the Best Metal Performance category for their cover of Metallica’s “Whiplash” on Metallic Attack: The Ultimate Tribute.[51] “They’ve managed to get the knife in,” Lemmy grumbled. “It was only a mercy fuck – it was our 30th anniversary. If they gave us a Grammy for one of our albums or songs, it would mean something.”[52]

From March until early May 2005, the band toured the United States, and in June and August were on the “30th Anniversary” tour in Europe.[41] On 22 August, they were the subject of an hour-long documentary, Live Fast, Die Old, aired on Channel 4 as part of The Other Side series of documentaries, filmed by new and established directors.[53][54]

On 20 September, a compilation containing the band’s appearances on BBC Radio 1 and a concert recording from Paris Theatre, London, was released as BBC Live & In-Session. In October, the band toured Europe with Mondo Generator before returning to Britain to tour with In Flames and Girlschool in October and November. During the show at the Brixton Academy on 19 November, Lemmy joined Girlschool on stage to play “Please Don’t Touch”. Motörhead finished the year’s tours in December, with two engagements in New Zealand and five in Australia with Mötley Crüe.[41] Also in 2005, Motörhead played on the Vaya Con Tioz farewell festival Böhse Onkelz at Lausitzring. In 2006, the band performed a four-date House of Blues tour in the States in March with Meldrum and from June until early August played at European open-air festivals with some indoor headlining shows. On 28 October, the band performed at The Rock Freakers Ball in Kansas City before heading off to tour Great Britain with Clutch and Crucified Barbara.

During that tour, Kiss of Death was released on 29 August 2006 via Sanctuary Records, with a video for “Be My Baby”. The tour ended on 25 November at the Brixton Academy, where Phil Campbell played on “Killed By Death” during Crucified Barbara’s support set. Twelve shows in Europe with Meldrum took them through the end of November to early December, the first two shows also featuring Skew Siskin.[41]

In November, the band agreed to a sponsorship deal with the Greenbank B under-10s football team from North Hykeham, Lincoln, putting the band’s name as well as War-Pig on the team’s shirts; the under-10s run out to “Ace of Spades”. Lemmy is old friends with Gary Weight, the team’s manager; Weight “sent an email off to them and they came back and said it was a great idea” and hopes the deal will draw inspired performances from his team.[55] On 25 April 2007, the band played at the Poliedro de Caracas in Caracas, Venezuela, and on 29 April at the Fundiçao Progresso, Rio de Janeiro.[41] In June, Motörhead played an engagement at the Royal Festival Hall as part of Jarvis Cocker’s Meltdown. On 26 February 2008, No Sleep ’til Hammersmith was reissued again as a two disc CD.

From March through to June 2008, the band convened in Los Angeles with producer Cameron Webb to begin work on their 19th album Motörizer. Mikkey Dee’s drum tracks were recorded at Dave Grohl’s studio. Motörizer was released on 26 August. It does not feature artwork by Joe Petagno, the artist who designed many of their classic covers. In June 2008 the band performed on the main stage of the Download festival. Between 6 and 31 August, Motörhead joined Judas Priest, Heaven & Hell and Testament on the Metal Masters Tour. On 20 August the band played at the Roseland Ballroom, New York, as part of “The Volcom Tour 2008”, which continued with The Misfits, Airbourne, Valient Thorr and Year Long Disaster at House of Blues, Anaheim, California on 2 September, playing a further thirteen dates. The band concluded the tour without the supporting bands, playing one more show at the Roseland Ballroom on 20 September, and the final engagement, at The Stone Pony, Asbury Park, New Jersey on 21 September.

On 30 September, Reuters reported that Neverdie Studios had signed a deal with Lemmy and Motörhead to develop and market Lemmy’s Castle and Motorhead Stadium inside the virtual world of Entropia Universe, an online universe.[56] The year’s touring ended with a 34-date tour of Europe with a variety of support bands including Danko Jones, Saxon, Witchcraft, and Airbourne.[41]

On 6 March 2009, the band played in the Middle East for the first time, at the annual Dubai Desert Rock Festival. On 1 April Motörhead were reported to have entered into a two-year sponsorship deal with UK Roller Derby team the Lincolnshire Bombers Roller Girls.[57] That September, noted drummer Matt Sorum filled in for Mikkey Dee for a U.S. tour.[58] “I was absolutely blown away and was very honoured to get the call,” Sorum said. “You know what I love about Lemmy? He’s always on time. We go on stage, no delays. Being in bands where you have to wait around for a couple of hours fucks you up.”[52]

In November 2009, the band were supported by NWOBHM veterans Sweet Savage on the Irish leg of the tour (30 years after first sharing the stage together) and punk and goth rock legends The Damned on the UK leg of their world tour. On The Damned’s official website, Captain Sensible said: “Ha ha … we’re working with Lemmy again, are we? Excellent! He’s the real deal, the absolute antithesis to all that the likes of Simon Cowell stand for. And for that we should all be grateful. This tour will be a celebration of all things rock ‘n’ roll … pity the poor roadies is all I can say!”[59]

The Wörld Is YoursAftershock and Bad Magic, 2010–2015

In a November 2009 interview with ABORT Magazine’s E.S. Day, Lemmy said that Motörhead would enter the studio in February 2010 “to rehearse, write and record” their 20th studio album, to be released by the end of the year.[60][61] The album was recorded with Cameron Webb and Welsh producer Romesh Dodangoda in Longwave Studio, Cardiff. In an interview with Hungarian television in July 2010, drummer Mikkey Dee announced that the album was finished, with 11 tracks. The album’s name was said to be The Wörld Is Yours. On 3 November 2010, Future plc, a UK media company, announced that Motörhead were to release The Wörld is Yours via an exclusive publishing deal with Classic Rock magazine on 14 December 2010.[62][63] The standard CD release of The Wörld is Yours would go on sale on 17 January 2011, through Motörhead’s own label, Motörhead Music.[63][64]

To coincide with the release of their upcoming album, Motörhead embarked on a 35th Anniversary UK tour, from 8–28 November 2010,[65] and a European tour from 30 November 2010 – 19 December 2010. They also took their tour to the Americas in 2011.[66] In October, the band recorded a slow blues version of their longtime hit “Ace of Spades” for a TV spot for Kronenbourg beer.[67] On 5 December the single “Get Back in Line” was released,[68] followed by the release of a video for the single on 6 December.[69] In December, Mikkey Dee stated to French journalists that Motörhead are planning to release a box-set with several DVDs in 2011. He did not give any details but said that it will come in a “beautiful package including many surprises”.[70]

On 17 January 2011, it was announced that Motörhead would be part of the Sonisphere Festival in Knebworth.[71] In August 2011, they headlined the Brutal Assault open-air festival in the Czech Republic. On 2 March 2011 Motörhead performed on Late Night with Jimmy Fallon.[72] On 9 July 2011, former guitarist Würzel died of a heart attack.[73] In celebration of 35 years’ touring, in late 2011 the band released the live DVD The Wörld Is Ours – Vol 1 – Everywhere Further Than Everyplace Else, including performances at the O2 Apollo Manchester, Best Buy Theater, New York City and Teatro Caupolicán, Santiago de Chile. On 19 December 2011, it was announced that Motörhead would play at the German festivals Rock am Ring and Rock im Park in Nürburgring and Nuremberg respectively in June 2012.[74][75] On 12 January 2012, it was announced that Motörhead were touring the US and Canada in early 2012, along with three other metal bands Megadeth, Volbeat and Lacuna Coil. The Gigantour took place from 26 January to 28 February 2012, but Motörhead missed the final four shows because Lemmy had a combination of an upper respiratory viral infection and voice strain, resulting in severe laryngitis. Lemmy wrote on Facebook, “I’m giving my voice a good rest”, hoping he would recover soon to play at the Mayhem Festival, which was held from 30 June to 5 August 2012. Motörhead also took part on 23 June in the Rock-A-Field Luxembourg Open Air Festival in Roeser.

In an April 2012 interview with Classic Rock Revisited, Lemmy was asked if Motörhead were planning to make a follow-up to The Wörld Is Yours. He replied, “We have not started writing any songs yet but we will. We put out an album out every two years. I will continue to do that as long as I can afford an amp.”[76] On 28 June 2012, Lemmy told Auburn Reporter that Motörhead will release their next album in 2013 and they had written “about 6 songs so far.”[77] On 23 October 2012, Lemmy told Billboard.com that the band had planned to enter the studio in January to begin recording the album for a mid-2013 release.[78] On 28 February 2013, it was announced that Motörhead had begun recording their new album.[79] Motörhead released the live DVD The Wörld Is Ours – Vol. 2 – Anyplace Crazy As Anywhere Else in September 2012. On 18 June 2013, the new album’s title was revealed to be Aftershock.

In mid-November 2013, Motörhead were due to embark on a European tour alongside Saxon, followed by a tour in Germany and Scandinavia due to last until mid December 2013 but the dates were postponed and rescheduled for February and March 2014 due to Lemmy’s health problems. However, in January 2014, Motörhead announced the cancellation of the new February and March dates of their European tour as Lemmy was still to reach full recovery from diabetes related health problems.[80] But the same month, the band was confirmed for Coachella Festival to take place across two weekends in spring 2014 (12–14 and 19–21 April) in Indio, California,[81] the exact dates to be revealed as 13 and 20 April 2014. In February 2014, Motörhead confirmed a Summer tour 2014 with eight European dates (from 24 June to 10 August) in France (2 dates), Switzerland, Italy, Germany (2 dates), Russia and Ukraine.[82] In March 2014, the band announced a Los Angeles date on 11 April 2014 at Club Nokia. Later on, two new dates on 17 and 18 April 2014 respectively in Las Vegas (Pearl) and San Francisco (Warfield) were added.[83] Still in March 2014, Motörhead announced that three heavy metal bands Megadeth, Anthrax and themselves would perform from 22 to 26 September 2014 at the first annual Motörhead’s Motörboat cruise on board the Carnival Ecstasy (self-proclaimed “The Loudest Boat in the World”), due to sail from Miami and visit the ports of Key West and the Cozumel island just off Mexico’s Yucatán Peninsula.[84]

In a September 2014 interview on Full Metal Jackie, Lemmy stated that Motörhead would “probably” enter the studio in January 2015 to start work on their 22nd studio album for a tentative late 2015 release.[85] On 25 February 2015, Motörhead officially confirmed that they were in the studio recording their new album in Los Angeles with longtime producer Cameron Webb.[86][87] On 27 May 2015, the band released teasers on their Facebook page with the roman number “XXXX” on it. On 4 June the new album (which would be their last) Bad Magic was launched for pre-order on Amazon, revealing its title and cover art which also shows the “XXXX”, coinciding with the 40th anniversary of the band. The album was released on 28 August 2015.[88][89] The band performed at the UK’s Glastonbury Festival in June 2015. Their final UK gig was at the Eden Project on 27 June 2015.[90]

While touring the album as the “40th anniversary Tour”, Motörhead had to cut short their Salt Lake City show on 27 August 2015 (in the Rocky Mountains) due to Lemmy’s breathing problems[91] (the result of an altitude sickness) and then they had to cancel completely day-off their Denver Riot Fest set on 28 August 2015. Their tour picked up again on 1 September 2015 at Emo’s in Austin, Texas (moved from Cedar Park Center) but the group were again forced to abandon their set after three songs[nb 1] and to cancel subsequent shows (from the show on 2 September 2015 in San Antonio, Texas to the show on 5 September 2015 in Houston, Texas included).[94]

Despite his ongoing health issues forcing Motörhead to cut short or cancel several US shows,[92][95][nb 2][nb 3] Lemmy Kilmister was able to bounce back in time for the trio’s annual Motörboat heavy metal cruise from Miami to the Bahamas which ran from 28 September through 2 October 2015 including performances by bands such as Slayer, Anthrax, Exodus, Suicidal Tendencies and Corrosion of Conformity. For this occasion, Motörhead performed live two entire (identical) sets on 30 September and 1 October 2015.[98][99][100]

Motörhead continued the “40th Anniversary Tour” in Europe in November and December. They played concerts in Germany, Sweden, Norway and Finland.[101] Their final concert was in Berlin, Germany on 11 December 2015. After Lemmy’s death, drummer Mikkey Dee spoke in an interview about him: “He was terribly gaunt. He spent all his energy on stage and afterwards he was very, very tired. It’s incredible that he could even play, that he could finish the Europe tour. It was only 20 days ago. Unbelievable.”[102] The “40th Anniversary Tour” was planned to continue in January 2016 in the band’s home country the UK, the first concert would have been in Newcastle on 23 January 2016.[103]

Lemmy’s death and breakup, Clean Your Clock and Under Cöver, 2015–2017

On 28 December 2015, Lemmy died, four days after celebrating his 70th birthday. He was the second Motörhead member to die in 2015, following Phil Taylor the previous month. The band posted the following message on Facebook:

There is no easy way to say this… our mighty, noble friend Lemmy passed away today after a short battle with an extremely aggressive cancer. He had learnt of the disease on December 26th, and was at home, sitting in front of his favorite video game from The Rainbow which had recently made its way down the street, with his family.

We cannot begin to express our shock and sadness, there aren’t words.

We will say more in the coming days, but for now, please… play Motörhead loud, play Hawkwind loud, play Lemmy’s music LOUD. Have a drink or few.

Share stories.

Celebrate the LIFE this lovely, wonderful man celebrated so vibrantly himself.

HE WOULD WANT EXACTLY THAT.

Ian ‘Lemmy’ Kilmister
1945–2015

Born to lose, lived to win
.

The following day, drummer Mikkey Dee confirmed that Motörhead would not continue, stating, “Motörhead is over, of course. Lemmy was Motörhead. We won’t be doing any more tours or anything. And there won’t be any more records. But the brand survives, and Lemmy lives on in the hearts of everyone.”[12][13] Two days after Lemmy’s death, guitarist Phil Campbell also stated that “Motörhead is no longer”.[14]

A few days later, the band’s long-time manager Todd Singerman told the press that Lemmy had experienced chest pains two days after his 70th birthday party (held at Whisky a Go Go) and visited into the emergency room, but was released the next day. However, Singerman was concerned because Lemmy’s speech was “getting bad” and took him to a brain scan. On 26 December the doctor came into Lemmy’s apartment, “brought the results and told us all that he has two to six months to live”. Lemmy reacted calmly. “He took it better than all of us”, said Singerman. “His only comment was, ‘Oh, only two months, huh?’ The doctor goes, ‘Yeah, Lem, I don’t want to bullshit you. It’s bad, and there’s nothing anyone can do. I would be lying to you if I told you there was a chance.'” Plans were made to treat Lemmy at home. A video game console at the Rainbow Bar and Grill that Lemmy loved to play was brought to his apartment. On 28 December 2015, he spent hours on the console, and Rainbow owner Mikael Maglieri paid a visit. Lemmy died in his sleep later that day.[105]

An autopsy on Kilmister showed that the causes of death were prostate cancer, a cardiac arrhythmia, and congestive heart failure.[106]

Initially planned on 27 May 2016, UDR Music released on 10 June 2016 Clean Your Clock, a Motörhead archive live album due to contain material recorded at the 20 & 21 November 2015 shows at the Zenith in Munich.[107] On 1 September 2017, Motörhead released Under Cöver, a covers album featuring covers throughout Motörhead’s history, along with covers only found on tribute albums, and new recordings.[108]

Former Motörhead guitarist “Fast” Eddie Clarke died on 10 January 2018 after a battle with pneumonia at the age of 67, making him the last member of the band’s classic lineup (following Taylor and Lemmy) to die.[109]

Original Motörhead guitarist Larry Wallis died on 19 September 2019 at age 70 from an unknown cause.[110]

The history part is from Wikipedia.

Members

Final line-up

Previous members

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